K Restaurant and Wine Bar

Written By Administrator On August 13, 2008

K Restaurant and Wine Bar

K Restraurant

It’s nice to see that K Restaurant and Wine Bar is doing good business, at least at lunch time. With all the talk about people cutting back on eating out, it was good to see so many tables occupied there today.

Actually, it’s probably a sign of the economic times that people are shifting their dining out patterns. Those who would go to a fancy restaurant at dinner now go to a more casual eatery. Or, instead of dinner as their meal out, they choose the more upscale restaurant for lunch.

Whatever, K is a good choice for either. I reviewed it in the Sentinel almost exactly one year ago, and that assessment stands. Add to it the delicious experience I had at lunch recently, with a plate of potato chips smothered in crumbled and slightly melted blue cheese. Sort of an upscale plate of nachos.

I had the Nicoise salad, which featured two big hunks of seared tuna on mesclun greens with chunks of potatoes, wedges of hard-boiled eggs and tangy olives.

I also had a taste of the diver scallops entree, three massive discs seared just so with a slight bit of salt to season. Tender yet with firmness.

Service was the usual K quality of attentiveness without hovering. My companions and I were allowed to set the pace.

K is still a terrific choice, lunch or dinner. And, by the way, if you’re looking for a dining deal, try K’s Monday night prix fixe menu.

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Norman’s

Written By Administrator On August 11, 2008

Norman Van Aken Celebrates Five Years of Fine Dining in Orlando at Anniversary Dinner with Dean Fearing

Norman's Norman’s, the fine dining restaurant at the Ritz-Carlton Grande Lakes Resort in Orlando, celebrated its fifth anniversary Sunday with a lavish five-course meal co-cooked by Dean Fearing. Fearing, who, like Van Aken, is a James Beard Foundation award-winner, rose to fame as the chef of the estimable Mansion on Turtle Creek in Dallas. He now has his own restaurant, Fearing’s, at the Ritz-Carlton Dallas.

Van Aken, of course, was one of the innovators of New World Cuisine, also known as Floribbean, that caused a culinary sensation in the late ’80s. Van Aken and others, including Mark Militello, recognized that Florida didn’t really have a cuisine of its own, so they co-opted the cooking techniques of the islands and adapted them to Florida’s ingredients.

Saturday’s sold-out dinner filled the posh restaurant with regulars who paid as much as $250 per person for the special occasion. The evening began with a champagne reception with tapas, including wonderful ceviche served in spoons and doughy pot stickers.

Guests were seated at 10-top tables that circled the marble-floored room. The first course was a chilled salad of red and yellow beets garnished with a dollop of apple wasabi sorbet, toasted pistachios and a bit of paddlefish caviar, which gave the beets a delightful little pop. The salad was accompanied by a Portuguese white wine, a 2005 Quinta Do Feital Alvarino “Dorado.”

WineDean’s barbecued shrimp taco was next, a fresh flour tortilla rolled more taquito style and served with mango-pickled onion salad. A 2007 Melville Estate viognier, which had a wonderfully fruity nose and complex tastes of peaches and apricots in the mouth. A delightful little sipping wine, with or without food.

The fish course featured a salmon fillet rolled with lapsang souchong, a black, smoked tea, sitting atop creamy Yukon Gold potatoes and topped with three pearl onions and crispy wafer fashioned out of salmon skin, which people either loved or hated (it had a nice salty taste). Patz & Hall’s 2005 Pisoni Vineyard pinot noir from Santa Lucia Highlands in California was the accompanying wine. It was chosen, we were told, because the sauce with the fish was made with pinot noir. I didn’t quite taste the connection, but I loved the wine nonetheless.

But the best wine came with the meat course, a buffalo tenderloin crusted with maple and black pepper. The meat was surprisingly tender — grass-fed, we were told — and the plate included jalapeno grits and a wonderful taquito filled with butternut squash.

Two wines, both made with syrah grapes, were offered with the meat course, a 2006 French Crozes-Hermitage Silene from Domaine Jean-Louis Chave, and a 2005 Domaine Serene Rockblock from Seven Hills Vineyard in Oregon’s Walla Walla Valley. The French wine was fine, but the Oregon Rockblock, so named because the vines grow in rocky soil, blew it away. The Oregon wine had rounder notes with tastes of black cherries and currants. 

The meal ended with stylized “s’mores” fashioned out of crushed graham crackers topped with brandied chocolate ganache and toasted marshmallow. A Spanish dessert wine, a 2004 Bodegas Olivares Dulce Monastrell, was offered, but I preferred to stick with the Rockblock.

It’s wonderful to have a restaurant of Norman’s quality as part of Orlando’s fine dining scene. Here’s to many more years of innovative cooking.

Visit  Norman’s for information.

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The Wave Restaurant

Written By Administrator On August 8, 2008

The Wave Restaurant at Disney’s Contemporary Resort

The Wave Have you ever been at the beach, out in the water, watching the waves as they roll toward you, waiting for the perfect one to pick you up and carry you to shore? And then you spot it, off in the distance, coming at you as though it’s going to break just right and give you a perfect ride. So you start paddling in anticipation only to have the wave fizzle out.

That’s how I feel about The Wave restaurant at Disney’s Contemporary Resort.

This is the first full-service restaurant to open on Disney property in quite a while, so anticipation and expectation were high. But it just seems that not enough effort was put into this concept, and there definitely is a lack of a follow-through on all fronts.

Things looked promising as I approached the new restaurant. The Wave occupies a space on the ground level of the not-quite-as-contemporary-as-it-used-to-be resort using an area that once held a game room and employee training classroom. You access the restaurant through a brushed metal tunnel that I suppose is supposed to resemble going through the curl of a wave. At the other end of the tunnel is a host stand, and on the other side of that, behind panels of mottled glass, is a large and stylish bar with cool blue lights and, overhead, glittering starlights.

It seems Disney spent all its money on the tunnel and the lounge area because the dining room is really quite plain. It’s a vast, open space with seating for 220 at bare wood tables. Overhead are undulating metal panels — oh, let’s just call them waves, shall we? — Above the metal waves are white and yellow neon lights that call attention to an unattractive acoustic tile ceiling.

The menu is surprisingly limited, and the food is even more surprisingly unexciting.

Appetizers were downright disappointing. The crab cakes ($11.49) had too much filler and a mealy texture. Lettuce wraps ($11.99) featured pebble-sized pieces of lamb along with bay scallops the size of an eraser on the end of a No. 2 pencil. They were sauteed in soy-rice wine vinegar and presented as a soggy mess that diners are supposed to scoop into lettuce leaves to eat. This one would have been a failure at half the price, which still would have been too much to charge.

The best among the entrees I sampled was the fish of the day, which is listed on the menu as “Today’s Sustainable Fish” to capitalize on a current ecological buzzword. That aside, the halibut fillet I had was fresh-tasting and had a lovely crisped exterior and beautiful white flesh inside. It was topped with cilantro chutney that offered a nice herby note.

Braised chicken pot pie ($19.99) was an odd presentation of meat — not much of it — peas, mushrooms and carrots in a creamy sauce served in a small casserole with a flat biscuit on top. I get the pot part but where’s the pie?

Braised lamb shank ($25.99) was a little more impressive, a huge hunk of tender meat laid atop a stew of bulgur wheat and lentils.

The wine list features an ecological gimmick in that all the wines — sparklers excepted — are in bottles with screw-cap closures. The ecological part is that cork trees needn’t be ravaged just to make bottle stoppers. I have nothing against screw caps, called Stelvin closures, and in fact I think they’re quite handy. The only problem with building a wine list around them is that availability is currently rather limited. So the Wave’s list features wines almost exclusively from producers in the Southern Hemisphere, where the use of screw caps has been more widely embraced. I found no stars among the wines.

Oddly, a flight of wines is offered on the drinks menu in the lounge, but it is not made available in the dining room. And, I overheard two guests being told, dining at the bar is not available.

Service had the appropriate Disney perkiness, but timing was way off on both my visits and long, inexplicable waits were endured.

I wish things had been better, and perhaps the restaurant will improve over the months. But as it stands now, the Wave is a washout.

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Hue

Written By Scott Joseph On July 15, 2008

HUE has been an important part of downtown Orlando and specifically the Thornton Park area for more than six years. Although there were other venues targeting young people at the time, HUE was among the first specifically designed to attract a more upscale and stylish group. And certainly the first to be successful at it. From my February 2002 review in the Orlando Sentinel:

… Hue is very hip. On just about any evening it is vibrantly alive with young urbanites frantic to unwind from the day’s pursuits. So they sip pretty cocktails and shout to each other to be heard over the din they themselves are creating. Then, after a suitable waiting period that seems necessary to demonstrate the popularity of the place, they might make their way to a table in one of the two small dining rooms, or perhaps on the patio that wraps around the corner of Central Boulevard and Summerlin Avenue…

Over the years, it has continued to draw young drinkers and not a few diners, too.

The menu continues to have a curious Asian bent, such as a tuna tartare appetizer presented on crispy wontons, or cripsy oysters served whimsically in the sort of spoons used in Vietnamese soups. But the best items here are the more straightforward, including grilled flatbread with duck confit; Burgundy balsamic braised short ribs; and one truly fine burger.

On one of my visits I had the wood-grilled rack of lamb and my companion chose the pan-seared halibut. Both were nicely done. The lamb featured two double chops, finished to the requested medium-rare, placed over a mound of risotto and accompanied by sautéed vegetables, including green beans, green pea pods, and red peppers. Although the menu said it was a red pepper risotto there was no indication red pepper had been involved.

The halibut was a good-sized fillet deftly cooked so the inside had white flaky flesh and the outside had a pleasantly crisped crust.

Servers tend to be young and range from green and inexperienced to highly trained and reliable.

Hue is at 629 E. Central Blvd., Orlando. It’s open daily for lunch and dinner. The phone number is 407-849-1800. Visit the Web site for more info.

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Orchid Thai

Written By Scott Joseph On June 24, 2008

This is a tale of two Thais.
I recently visited two new Thai restaurants, each with good food but each distinctly different from the other in its style and experience.
On one end of the spectrum is Orchid, a splashy and elegant restaurant with a hip vibe that befits its Park Avenue milieu.
And then there’s Chai Thai, a modest, unpretentious and unadorned eatery with a family-style mien. Unfortunately, it, too, has an ambience that matches its Curry Ford Road locale. (Isn’t there an Extreme Makeover: Urban Street Edition yet?)
But even with its decidedly downscale décor, Chai Thai delivers delicious Thai favorites. So does Orchid, but its menu also extends to more ambitious fare that is based on Thai seasonings and ingredients that may be unfamiliar even to devotees of the area’s many Thai restaurants.
Short rib massamam ($22), for example. It featured a large beef short rib, braised and then sautéed with potatoes and small pieces of sweet bell peppers with a chili sauce and a bit of roasted peanuts. That the meat was not the most tender hunk of rib I’ve had – a bit more braising might have helped – does not detract from the overall enjoyment of the dish.
And part of the enjoyment of this entrée, and indeed most every dish served here, was the elegant presentation, which almost invariably included luminous purple orchid blooms as plate garnish. (Yes, orchid petals are edible, but frankly I enjoy looking at them much more than ingesting them.)
More traditional entrees occupy the menu, including pad Thai (would it be possible for a Thai restaurant to operate without pad Thai?) I ordered mine with chicken ($14) and was surprised when the server asked me how spicy I wanted it. Pad Thai is done without spicy seasoning and is traditionally served with a condiment tray that includes crushed peppers and chili sauce, as well as chopped peanuts, for the diner to add at will.
There was no condiment tray, but the mix of rice noodles, bean sprouts, tangy chicken and ground peanuts was nonetheless delicious.
I also had the pad Thai ($9.95) at Chai, and again I was asked how spicy I wanted it. Are Thai restaurants going the way of Indian restaurants, succumbing to the uninformed notion of the dining public that these cuisines are nothing but spicy foods?
Chai Thai’s version was equally as good, the only difference being the presentation – and the price, which probably had something to do with the presentation. Orchids aren’t cheap.
Chai doesn’t decorate with orchids, but the crispy duck ($14.95) was a beautiful presentation all by itself. It was a fully platter of sliced meat with cispy crunchy skin topped with basil. There was a small amount of sauce, barely enough to wet the fluffy jasmine rice, but it wasn’t missed.
InWinter Park I ordered the Orchid duck ($24) and was surprised that what I was served was basically a salad. I didn’t think I was ordering a salad – the menu didn’t say anything about greens – and I certainly wouldn’t have ordered a $24 salad. When a server noticed my dismay he removed the dish from my table and the charge from my bill.
At Chai I had the red curry with beef ($9.95), which I ordered medium-hot. It was perfectly spiced, hot enough to put some heat on the tongue but not so much that it scorched the taste buds for the myriad other flavors.
Orchid did a nice yellow curry with chicken ($14), although here the spicing was more muted.
Both restaurants also offer one of my favorite Thai appetizers, stuffed chicken wings. These are wings that have the upper bone removed and its cavity filled with chopped chicken meat, clear noodles and vegetables. It’s then breaded and deep-fried to create a drumsticklike treat. Both were tasty and similarly priced, Orchid’s for $6 and Chai’s for $5.95. Orchid offered an unusual appetizer called mieng kum ($10), which was an assemble-yourself morsel. It included mounds of fresh ginger, tiny cubes of lime, onion, peanuts and – don’t be frightened – tiny freeze-dried shrimp. These were accompanied by fresh spinach leaves to wrap the ingredients in. Despite the woefully small leaves, it was an interesting and filling starter course, except there wasn’t enough freeze-dried shrimp, words I never thought I’d say.
I seldom order desserts in Thai restaurants, but I had to try the coconut sticky rice with mango ($7), a long pad of sweetened rice topped with slices of cool mango. It was quite nice.
Orchid is in the small space that was occupied by Bistro on Park before it moved across the street. The walls are a sedate mocha, and colorful, geometric-centric paintings adorn the walls. And, of course, there are plenty of orchids that line the small bar, which also, it seems, doubles as an office for the owner.
Chai Thai doesn’t have the decorative accouterments of Orchid, but each does a fine job with its common cuisine.

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